DANIELA BELTRANI
  • ●ABOUT
    • ●CURRICULUM VITÆ
    • ●ARTIST STATEMENT
    • ●LINKS
  • ●PERFORMANCE
    • 2011 >
      • Path
      • I perform therefore I am
      • Campare s'oda
      • The In-Between Food Court
      • Curves
      • Rediscovering Antigone
      • Trapped/Protected
      • My body's tears
      • Body is blank
      • Fragments of being #1
    • 2012 >
      • Untitled
      • Shifting angle
    • 2013 >
      • Ignite
      • Waiting for you
      • Anonymous words
      • For example I
      • Impromptu
    • 2014 >
      • Beautiful ugly
      • Sewn #1
      • Sewn #2
      • Shi Jian
      • Nise2MeetU
    • 2015 >
      • Kala #1
      • Collab pod
    • 2016 >
      • B#bbles
      • Sat Sri Akaal
      • Prana
      • Fragments of being #2
      • Untitled
    • 2017 >
      • Kala #3
      • Norogachi
      • El Corazón Contento
      • Sewn #3
      • Hasrat-e-ziba
    • 2018 >
      • Shredding time
    • 2019 >
      • Dirty Laundry
      • Cleansing for the New Year
    • 2020 >
      • God bless China
      • Lara
      • Kala #4
      • Fragments of being #3
      • Untitled
      • Esse is Percipi
      • Per speculum #1
      • Anahata
      • Messa a terra/Grounding
      • Lila
      • Avadhuta
      • To the artist in everyone
      • L'attesa
      • Intelligenti pauca
      • Let's have a coffee
    • 2021 >
      • Rosatio
      • Benché 'l parlar sia indarno #2
      • Giglio di Pace
      • Testa di lana #1
      • Testa di lana #2
      • 41
      • Ties #1
      • Per speculum #3
      • Ties #2
      • Caffè Philo
      • Per speculum #4
    • 2022 >
      • R-E-Spirando
      • Happy BreathDay Linda
      • Per speculum #5
      • R-E-Spiriamo
  • ●CONTACT

For this performance SPAM members spent one afternoon collecting materials from the streets of Little India using two shopping trolleys.

They filmed this process with two video cameras, one of which was in time-lapse.

They stored the materials in the trolleys, until they were ready to make use of them.

There was no premeditation regarding the use of the material, so that the actions would be completely spontaneous.

Both videos were shown during the performance.
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  • ●ABOUT
    • ●CURRICULUM VITÆ
    • ●ARTIST STATEMENT
    • ●LINKS
  • ●PERFORMANCE
    • 2011 >
      • Path
      • I perform therefore I am
      • Campare s'oda
      • The In-Between Food Court
      • Curves
      • Rediscovering Antigone
      • Trapped/Protected
      • My body's tears
      • Body is blank
      • Fragments of being #1
    • 2012 >
      • Untitled
      • Shifting angle
    • 2013 >
      • Ignite
      • Waiting for you
      • Anonymous words
      • For example I
      • Impromptu
    • 2014 >
      • Beautiful ugly
      • Sewn #1
      • Sewn #2
      • Shi Jian
      • Nise2MeetU
    • 2015 >
      • Kala #1
      • Collab pod
    • 2016 >
      • B#bbles
      • Sat Sri Akaal
      • Prana
      • Fragments of being #2
      • Untitled
    • 2017 >
      • Kala #3
      • Norogachi
      • El Corazón Contento
      • Sewn #3
      • Hasrat-e-ziba
    • 2018 >
      • Shredding time
    • 2019 >
      • Dirty Laundry
      • Cleansing for the New Year
    • 2020 >
      • God bless China
      • Lara
      • Kala #4
      • Fragments of being #3
      • Untitled
      • Esse is Percipi
      • Per speculum #1
      • Anahata
      • Messa a terra/Grounding
      • Lila
      • Avadhuta
      • To the artist in everyone
      • L'attesa
      • Intelligenti pauca
      • Let's have a coffee
    • 2021 >
      • Rosatio
      • Benché 'l parlar sia indarno #2
      • Giglio di Pace
      • Testa di lana #1
      • Testa di lana #2
      • 41
      • Ties #1
      • Per speculum #3
      • Ties #2
      • Caffè Philo
      • Per speculum #4
    • 2022 >
      • R-E-Spirando
      • Happy BreathDay Linda
      • Per speculum #5
      • R-E-Spiriamo
  • ●CONTACT