Performance artist: BODY as material vivified by CONSCIOUSNESS in POIESIS
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Per speculum
In nuce Kou Gallery Rome, Italy 10 March 2022 Photo: Luca V. except for photo 3: Leda Patasheva |
“A mirror reflects our corporeality, the gross substance of which we are composed. What does reflect our soul? Only another soul."
Daniela Beltrani |
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Happy Breathday Linda
Birthdayarama for Linda Mary Montano's 80th birthday Interior Beauty Salon & Franklin Furnace New York City 18-19 January 2022 Video: Xie Rong |
Hari Om
Dear Linda, In 3 of the 108 upanishad (namely Hamsa, Dhyanabindu, and Varaha) it is written that the jiva, the individual soul, utters Ham-sa mantra 21,600 times in one day and one night. 21,600 breaths in one day 7,884,000 breaths in one year 631,130,400 breaths in 80 years (including the 19 leap year extra days) We could measure the passing of time with our breaths. We could keep count of breaths, not years. Breathing keeps us alive. And when we die, breathing changes and exits our body. So, here dear Linda dear like a sister-in-performance-art dear like a timeless fellow jiva I want to offer you one of my breaths and wish you HAPPY BREATH-DAY. [Action with lingua di Menelik] [Action with red balloon] Daya Daniela Beltrani Hari Om |
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R-E-Spirando
Collagene, DAS Dispositivo Arti Sperimentali Via del Porto 11/2 Bologna, Italy 11 January 2022 Video: Daniela Beltrani |
Intro
The conceptualisation of this performance comes from a long reflection that binds different experiences I have lived and are united by a single element, the breath. As a yoga teacher I have learned several breath control techniques. As a meditation practitioner I have learned to become aware of MY breath. As an artist I have dedicated myself to an ephemeral artistic language that - free from materialism and consumerist logic - lives only in the same moment of the breath, the present one. As a mother I listened to the first breath of my two children. As a daughter, I listened to my mother's last breaths. These experiences have profoundly marked me in their diversity and impacted my life in an incisive and decisive way for my future choices. Seed The seed for the conceptualisation of this performance was planted last year, when I started suffering from paroxysmal nocturnal dyspnea. Mouthful word to describe breathing difficulties similar to a sort of hunger for air. In particular, this breathing difficulty occurs at night, while I sleep, and tends to resolve itself when, from lying down, I assume an upright, sitting position (and then it takes the name orthopnea, from the Greek ortho, straight and pneo, breath). I have read the science, but why does this orthopnea terrify me the moment it assaults me? I think I have found the right answer in the connection with the last exhalation that I will do in my life and that will accompany the moment of passing away, and is therefore connected to the fear of death, of not being here anymore. On the other hand, in its most basic and elementary form, life is a succession of breaths: hundreds of years ago some Upanishads spoke of an average of 20,000 breaths per day, for a total of almost 700 million breaths for an average life of 80 years, (also confirmed by Western science). But what is breathing? It is a gas exchange, and is divided into the two phases of inhalation and exhalation. We begin life with an IN-spiration and end it with an EX-piration. A cycle that begins and ends How do you know when a loved one is about to die? Suomenlimna, Helsinki, Finland, 17 November 2013. "-Ready? Daniela? -Hello mom. How are you? -The time has come, I think. This time, yes ... -Okay mom. I'm in Helsinki. I'm looking for a flight to Milan and I'm coming. Wait for me. " No. Our brief conversation did not go as I read it. I barely remember it. The only thing I know for sure is that my mother's breathing had changed. She gasped, it was hard for her to breathe, as if where she was, there was no more air to breathe ... as if she were on another planet, an astronaut whose helmet had broken and the lack of air was suffocating her ... How do you know when a loved one is about to die? On 4 November 2013 I get a similar phone call. I just finished a performance art festival which had been very complex and difficult. On 6 November I leave Singapore with my 9-year-old son. After 12 hours we arrive in Milan, 4 hours later we are with her. We spent what we believed to be his last days together. Instead she recovered. On 13 November we return to Singapore. Our life had been there for many years. On 17 November I left for Helsinki for a performance art festival to which I had been invited. My partner at the time convinced me that it would be better to be in Helsinki than in Singapore. I was closest to the hospice near Brescia, where my mother was staying. I had to continue with my life, but to be able to drop everything and reach her. How do you know when a loved one is about to die? Sunday 17 November I arrive in Helsinki. In the afternoon, I get your call. I look for flights immediately. There are no more flights to Milan. We have to wait until the next day, Monday 18 November. There are two flights, one early in the morning (8:30?) and one in the afternoon (16:30?). I am tired. The divorce. The travel to Italy every two months. My son, my friends and art comfort me. I decide for the second flight. When I leave Helsinki she is still alive. But when I arrive at the hospice, after the taxi at 1:00 pm, the plane, the shuttle, the train, another taxi, at 9:00 pm, my mother has already breathed out ... her last breath. And I didn't make it, I was late. How do you know when a loved one is about to die? Those close to death will spend most of their time sleeping. They may not be able to communicate when they are awake because their senses are abandoning them. However, they will still be able to hear: hearing is the last sense to go away. Physical signs that death is near include: - a sudden charge of energy - mottled and mottled skin, especially on the hands, feet and knees, as blood pressure decreases - difficulty swallowing - less urine - restlessness - congested lungs - difficult breathing Prior to death, a change in the person's breathing pattern may be noted. Specifically, dyspnea - defined as shortness of breath or perceived difficulty in breathing - predicts mortality and is also an indicator of certain diseases, mostly affecting the heart and lungs. In addition, there may be periods of rapid breathing followed by short periods of not breathing. This phenomenon is known as Cheyne-Stokes respiration and is very common at the end of life. There may also be sounds of chest congestion and throat noises. Pharyngeal secretions or the inefficiency of the throat muscles cause a particular and noisy breathing, also called the rattle of death: in practice, the loved one can no longer expectorate or swallow the secretions. Hearing the sound thus produced could cause upset to those close to the dying person, but it is certainly comforting to know that it does not cause them any suffering. Changing their position or using medications to dry the secretions can minimise the noise. This treatment is to comfort the family or caregivers, because agonal breathing occurs when the patient cannot realise it. It can continue for hours and often means that death will occur within hours or days. |
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Per speculum
PAR #25, "100 anni di Rione Testaccio" Piazza Testaccio Rome, Italy 4 December 2021 PC Glauco Dattini |
“A mirror reflects our corporeality, the gross substance of which we are composed. What does reflect our soul? Only another soul."
Daniela Beltrani |
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Caffè philo
PAR #24 Rome Art Week #6 Piazza Testaccio Rome, Italy 25 October 2021 Video: Daniela Beltrani |
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Ties
PAR #23 Retake Terra Roma Riva Ostiense Rome, Italy 18 September 2021 PC Sergio Buondonno |
"Ties that bind us. Ties that choke us."
Daniela Beltrani |
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Per speculum
#23 IMAF 2021 Motel Sumice Odzaci, Vojvodina Serbia 5 September 2021 PC Analía Beltrán i Janés |
“A mirror reflects our corporeality, the gross substance of which we are composed. What does reflect our soul? Only another soul."
Daniela Beltrani |
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Ties
#23 IMAF 2021 Trg Slobode Novi Sad, Vojvodina Serbia 3 September 2021 PC Spike Mclarrity |
"Ties that bind us. Ties that choke us."
Daniela Beltrani |
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41
Sant'Antonino Martire Piazza del Duomo Fara in Sabina (Rieti), Italy PC Sergio Buondonno |
41 are the women killed by a lover in Italy by 29 August 2021.
Sharon Victoria Roberta Tiziana Teodora Sonia Ilenia Piera Luljeta Lidia Clara Deborah Rossella Edith Ornella Elena Dorina Tina Annamaria Saman Silvia Emma Elsie Michelle Ylenia Angela Tunde Maria Carmina Perera Priyadarshawie Donashantini Bruna Alessandra Sharon Silvia Susana Chiara Ginetta Vincenza Lorenza Monica Marylin Silvia Shegushe Catherine Stefania Vanessa |
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Testa di lana
PAR #22 Piazza Testaccio Rome, Italy 25 July 2021 PC Luca V. & Sergio Buondonno |
"During 2020 I often had the image of my head being replaced by a scribble: the confusion, the feeling of being lost, the sensation of being unable to make the next step or to even identify the direction where to turn to, appeared to me visually as a scribble, with curved lines hovering around a centre that felt like a black hole sucking me in.
This performance is the realisation of that image, and doing it meant to feel that sense of claustrophobia that closes in without allowing me to escape anywhere." Daniela Beltrani |
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Testa di lana
PAR #21 Piazza Testaccio Rome, Italy 21 July 2021 PC Nilen Figà |
"During 2020 I often had the image of having a scribble instead of my head: the confusion, the feeling of being lost, the sensation of being unable to make the next step or even to identify the direction where to turn to, appeared to me visually as a scribble, with curved lines hovering around a centre that felt like a black hole sucking me in.
This performance is the realisation of that image, and doing it meant to go through that sense of claustrophobia that closes in, without allowing me to escape anywhere. Which is what the lockdown did to me." Daniela Beltrani |
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Per speculum
Wire Coworking Rome, Italy 24 June 2021 PC Sara Mechelli |
“A mirror reflects our corporeality, the gross substance of which we are composed. What does reflect our soul? Only another soul. "
Daniela Beltrani |
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Giglio di pace
by Fiorella Ivaldi PAR #20 Via del Portico di Ottavia Rome, Italy 23 June 2021 PC Luca V. & Mariella Rainò |
"Una camminata performativa avrà luogo al Portico d'Ottavia, area dell'antico quartiere ebraico, fortemente evocativa della segregazione che fu imposta agli ebrei. Luogo di incontro fra comunità e religioni diverse ma profondamente integrate. Vuole essere un'azione artistica in ricordo di Pippa Bacca e del suo messaggio di pace che si farà corpo attraverso le performer. L'azione si svolgerà sul ponticello, icona del rione Sant'Angelo, simbolo di scambio e dialogo. Sacralità e purezza si manifesteranno durante la performance, il senso dell'atto verrà donato fisicamente ai presenti nella forma di un giglio bianco e oro, unendo pubblico e artiste in un unico gesto. Le performer saranno vestite di bianco e si muoveranno idealmente verso Piazza Gerusalemme senza arrivare alla meta: il cammino verso la pace è lungo e non raggiunto, solo insieme si potrà progredire."
Performance ideata da Fiorella Ivaldi e LaboratorioViola. Con la presentazione dell'artista Georges de Canino e la presenza della Presidente del Municipio Roma I Centro, Sabrina Alfonsi. |
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Benché 'l parlar sia indarno
PAR #19 Piazza Testaccio Rome, Italy 20 June 2021 PC Luca V. & Sergio Buondonno |
Gl’Italiani hanno voluto far un’Italia nuova, e loro rimanere gl’Italiani vecchi di prima, colle dappocaggini e le miserie morali che furono ab antico il loro retaggio; perché pensano a riformare l’Italia, e nessuno s’accorge che per riuscirci bisogna, prima, che riformare sé stesso, perché l’Italia, come tutti i popoli, non potrà divenir nazione, non potrà esser ordinata, ben amministrata, forte così contro lo straniero come contro i settari dell’interno, libera e di propria ragione, finché grandi e piccoli e mezzani, ognuno nella sua sfera non faccia il suo dovere, e non lo faccia bene, od almeno il meglio che può. Ma a fare il proprio dovere, il più delle volte fastidioso, volgare, ignorato, ci vuol forza di volontà e persuasione che il dovere si deve adempiere non perché diverte o frutta, ma perché è dovere; e questa forza di volontà, questa persuasione, è quella preziosa dote che con un solo vocabolo si chiama carattere, onde per dirla in una parola sola, il primo bisogno d’Italia è che si formino gli Italiani dotati d’alti e forti caratteri. E pur troppo si va ogni giorno verso il polo opposto: pur troppo s’è fatta l’Italia, ma non si fanno gl’Italiani.
Massimo d’Azeglio, I miei ricordi (1867) |
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Benché 'l parlar sia indarno
PAR #18 Piazza Orazio Giustiniani Rome, Italy 13 June 2021 PC Luca V. & Sergio Buondonno |
Ah serva Italia, di dolore ostello,
nave sanza nocchiere in gran tempesta, non donna di province, ma bordello! Dante Alighieri, Purgatorio, canto VI, vv. 76-78 Non popolo arabo, non popolo balcanico, non popolo antico,
ma nazione vivente, ma nazione europea: e cosa sei? Terra di infanti, affamati, corrotti, governanti impiegati di agrari, prefetti codini, avvocatucci unti di brillantina e i piedi sporchi, funzionari liberali carogne come gli zii bigotti, una caserma, un seminario, una spiaggia libera, un casino! Milioni di piccoli borghesi come milioni di porci pascolano sospingendosi sotto gli illesi palazzotti, tra case coloniali scrostate ormai come chiese. Proprio perché tu sei esistita, ora non esisti, proprio perché fosti cosciente, sei incosciente. E solo perché sei cattolica, non puoi pensare che il tuo male è tutto male: colpa di ogni male. Sprofonda in questo tuo bel mare, libera il mondo. Pier Paolo Pasolini, Alla mia nazione (1960) |
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Rosatio
ArtHappeningVarese InsightOUT Photo Festival 2021 Chiostro di S. Antonino Varese, Italy 22 May 2021 PC Alex Sala & Sergio Buondonno |
Rosatio in Latin means to decorate with roses, during the pagan festivity Rosalia (festival of the roses) in commemoration of the dead.
The flower is here re-contextualised to celebrate all the women who "decorated" the life of others and died with their aspirations unspoken and potential unfulfilled. ACTIONS 1. Put roses in vase. 2. Add water to vase. 3. Hammer vase. 4. Let water seep through. 5. Make broom of roses. 6. Sweep ground. 7. Add water to vase. 8. Let vase bleed out. |
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Prendiamo un caffè?
PAR #17 Rome Art Week #5 Caffè ai Banchi Vecchi Rome, ITALY 29 October 2020 PC Luca V. & Ilaria Paccini |
Coffee (qahwa) is the most loved and consumed beverage in Italy. Once known as the "devil's drink" due to its Muslim origin, in the early 1600s Pope Clement VIII ruled in favour of it and allowed Catholics to consume it. This decreed the birth and spread of the coffee shop, which over the years became a place not only for convivial aggregation, but also for meetings by cultured men, writers, philosophers and politicians. In 1992 the philosopher Marc Sautet began a series of Sunday meetings at the Café des Phares in Paris to advertise his new philosophical consulting firm. The popularity of the meetings in which philosophical themes were dealt with, and to which an increasing number of participants flocked, decreed the rediscovery of the philosophical café, in vogue in France in the 1700s. Subsequently, in 1995, Sautet published the book Un café pour Socrate, in which he suggests how philosophy can teach us to understand today's world. Inspired by the popularity of the café philo, widespread in France and other parts of the world, but non-existent in Italy, Daniela proposed to the patrons of the caffè to start a discussion on the big questions of life, in exchange for an espresso. The sitter could propose the question or picked up one randomly from the colourful cards. At the end s/he chose a word to give Daniela and walk away with.
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Intelligenti pauca
Sant'Oreste in Rete... Percorsi e Tracce: arte all'aperto e salute ambientale per un nuovo stile di vita e di cultura, PAR#16 Sant'Oreste (Roma) Italy 11 October 2020 PC Sergio Buondonno |
"Don’t give that which is holy to the dogs, neither throw your pearls before the pigs, lest perhaps they trample them under their feet, and turn and tear you to pieces."
Matthew 7:6 |
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L'attesa
Sant'Oreste in Rete... Percorsi e Tracce: arte all'aperto e salute ambientale per un nuovo stile di vita e di cultura, PAR#15 Sant'Oreste (Roma) Italy 3 October 2020 PC Sergio Buondonno |
"I realised this performance for the first and only time in 2013 in Singapore, after being inspired by a drop of honey rolling slowly down the side of a glass cup. The beauty of its slow pace had me completely mesmerised and I felt I had to share this with others."
Daniela Beltrani |
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To the artist in everyone
Sant'Oreste in Rete... Percorsi e Tracce: arte all'aperto e salute ambientale per un nuovo stile di vita e di cultura, PAR#14 Sant'Oreste (Roma) Italy 29 August 2020 PC Sergio Buondonno |
"In performance art we can use ordinary objects in a different way from the ordinary and share them with others, generating images, sensations, reflections, even beauty. The artist's intention guides his actions, and while they are taking place, the original intention is accompanied by the myriad of reactions and interpretations of the spectator. Unity generates multiplicity, and right and wrong lose their reason for being. "
Daniela Beltrani |
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Avadhuta
Sant'Oreste in Rete... Percorsi e Tracce: arte all'aperto e salute ambientale per un nuovo stile di vita e di cultura, PAR#14 Sant'Oreste (Roma) Italy 29 August 2020 PC Sergio Buondonno |
"The action in performance art can be imperceptible, like a pole to which golden fringes are attached that the wind stirs. The artist then becomes a medium in which the ego calms down and allows the action of other creative energies.
Among the meanings of the Sanskrit word Avadhuta are included agitated, like the effect of the wind, and removed from earthly attachments, as were the hermits who lived on the Soratte. " Daniela Beltrani |
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Glass baubles Lila
Sant'Oreste in Rete... Percorsi e Tracce: arte all'aperto e salute ambientale per un nuovo stile di vita e di cultura, PAR#13 Sant'Oreste (Roma) Italy 23 August 2020 PC Sergio Buondonno |
“Truly I tell you, unless you change and become like little children, you will never enter the kingdom of heaven."
Matthew 18:3 |
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Messa a terra / Grounding
Sant'Oreste in Rete... Percorsi e Tracce: arte all'aperto e salute ambientale per un nuovo stile di vita e di cultura, PAR#12 Sant'Oreste (Roma) Italy 22 August 2020 PC Sergio Buondonno |
"Between 1582 and 1590 six Franciscans were killed by thunderbolts. Electricity in our body can be fatal. Connection to ground can save us. Let us pour onto the earth all that dangerous material which over time can cause us harm."
Daniela Beltrani |
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Anahata
Sant'Oreste in Rete... Percorsi e Tracce: arte all'aperto e salute ambientale per un nuovo stile di vita e di cultura, PAR#11 Sant'Oreste (Roma) Italy 21 August 2020 PC Sergio Buondonno |
"HeartMath Institute has been investigating the connection between our heart and brain for decades. Quick Coherence Technique allows us to reconnect with a positive feeling and enjoy immediate benefits for our mind."
Daniela Beltrani |
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Vita
Sant'Oreste in Rete... Percorsi e Tracce: arte all'aperto e salute ambientale per un nuovo stile di vita e di cultura, PAR#10 Sant'Oreste (Roma) Italy 16 August 2020 PC B. Linne |
“You will never meet two absolutely identical faces. No matter the beauty or ugliness: these things are relative. Each face is the symbol of life. And all life deserves respect. It is by treating others with dignity that self-respect is earned."
Tahar Ben Jelloun |
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All art that’s on the streets is not graffiti
in collaboration with Ilaria Paccini Sant'Oreste in Rete... Percorsi e Tracce: arte all'aperto e salute ambientale per un nuovo stile di vita e di cultura, PAR#9 Sant'Oreste (Roma) Italy 15 August 2020 PC Luca V. |
"Street art is much more than graffiti, it is bringing art in the street.
Daniela Beltrani" |
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Per Speculum
Sant'Oreste in Rete... Percorsi e Tracce: arte all'aperto e salute ambientale per un nuovo stile di vita e di cultura, PAR#8 Sant'Oreste (Roma) Italy 9 August 2020 PC Sergio Buondonno |
“A mirror reflects our corporeality, the gross substance of which we are composed. What does reflect our soul? Only another soul. "
Daniela Beltrani |
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Esse is Percipi
Sant'Oreste in Rete... Percorsi e Tracce: arte all'aperto e salute ambientale per un nuovo stile di vita e di cultura, PAR#7 Sant'Oreste (Roma) Italy 8 August 2020 PC Sergio Buondonno |
"You watch me. I watch you. We exist."
Daniela Beltrani |
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Untitled
PAR #6 Time Piazza di San Lorenzo in Lucina Rome Italy 26 July 2020 PC Giulia & Luca V. |
In the square that once housed the Horologium Augusti, "Fugit inreparabile tempus,"
Virgil, Georgics III, 284 |
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Untitled
PAR #5 Time Piazza di San Lorenzo in Lucina Rome Italy 25 July 2020 PC Giulia & Luca V. |
In the square that once housed the Horologium Augusti, "Fugit inreparabile tempus,"
Virgil, Georgics III, 284 |
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Fragments of Being
PAR #4 Agones Piazza Navona Rome Italy 19 July 2020 PC Luca & Giulia V., Carla Conforto & Vittorio Palandri |
“A mirror reflects our corporeality, the gross substance of which we are composed. What does reflect our soul? Only another soul. "
Daniela Beltrani |
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Kala
PAR #3 Piazza di Pasquino Rome Italy 27 June 2020 PC Luca V. & Sergio Buondonno |
"Kāla in Sanskrit means time.
Time unfolds through our daily actions, performed out of habit, automatically or simultaneously with others, all functional to the purposes of our ego. We have learned that from A to B one has to move in the shortest possible time and with the least expenditure of energy. Thus, blinded, rather than guided, by our final purpose, life flows through our hands and never returns. The simple gesture of pouring water into a container, functional to our desire to drink, is broken up into temporal fragments which manifest themselves in double micro-actions: sucking the drop and releasing it. Water enters the container with our growing awareness, and slowly we also become aware of what keeps us alive: the breath." Daniela Beltrani |
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Lara
PAR #2 Piazza di Pasquino Rome Italy 21 February 2020 PC Nilen Figà |
"Lo, an old hag, seated among girls, performs rites in honour of Tacita63 (“the Silent Goddess”), but herself is not silent. With three fingers she puts three lumps of incense under the threshold, where the little mouse has made for herself a secret path. Then she binds enchanted threads together with dark lead, and mumbles seven black beans in her mouth; and she roasts in the fire the head of a small fish which she has sewed up, made fast with pitch, and pierced through and through with a bronze needle. She also drops wine on it, and the wine that is left over she or her companions drink, but she gets the larger share. Then as the goes off she says, “We have bound fast hostile tongues and unfriendly mouths.” So exit the old woman drunk."
Ovid, Fasti, II, 571-582 "At once you will ask of me, “Who is the goddess Muta (‘the Mute’)?” Hear what I learned from the old men gone in years. Conquered by exceeding love of Juturna, Jupiter submitted to many things which so great a god ought not to bear. For now she would hide in the woods among the hazel-thickets, now she would leap down into her sister waters. The god called together all the nymphs who dwell in Latium, and thus in the midst of the troop he spake aloud: “Your sister is her own enemy, and shuns that union with the supreme god which is all for her good. Pray look to her interests and to mine, for what is a great pleasure to me will be a great boon to your sister. When she flees, stop her on the edge of the bank, lest she plunge into the water of the river.” He spake. Assent was given by all the nymphs of Tiber and by those who haunt, Ilia divine,64 thy wedding bowers. It chanced there was a Naiad nymph, Lara by name; but her old name was the first syllable repeated twice, and that was given her to mark her failing.65 Many a time Almo66 had said to her, “My daughter, hold thy tongue,” but hold it she did not. No sooner did she reach the pools of her sister Juturna than, “Fly the banks,” said she, and reported the words of Jupiter. She even visited Juno and, after expressing her pity for married dames, “Your husband,” quoth she, “is in love with the Naiad Juturna.” Jupiter fumed and wrenched from her the tongue she had used so indiscreetly. He also called for Mercury. “Take her to the deadland,” said he, “that’s the place for mutes. A nymph she is, but a nymph of the infernal marsh she’ll be.” The orders of Jupiter were obeyed. On their way they came to a grove: then it was, they say, that she won the heart of her divine conductor. He would have used force; for want of words she pleased with a look, and all in vain she strove to speak with her dumb lips. She went with child, and bore twins, who guard the cross-roads and ever keep watch in our city: they are the Lares." Ovid, Fasti, II, 583-616 Source |
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God Bless China
Burnt Snow #7 Xilamuren, Inner Mongolia China 3 January 2020 PC Yves Gore |
"Well-wishing with my breath on colourful streamers which will blow to the wind, far and wide, to the four corners of China."
Daniela Beltrani |
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Cleansing for the New Year
Burnt Snow #7 Hohhot Inner Mongolia China 31 December 2019 PC Gilivanka Kedzior & Yan Yinhong |
For the new year, let us kill the genders that cause inequality.
Let us be reborn into a genderless sterile being. Let us lose this body causing so much unhappiness. Let us allow our souls to shine brightly. Daniela Beltrani |
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Dirty Laundry
PAR #1 Via Giulia 103, Rome Italy 21 October 2019 PC Ilaria Paccini, Michela Ramadori, Fabrizia Migliarotti |
"One stolen kiss is passion and love.
One thousand stolen kisses are an incurable wound." Daniela Beltrani |
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Shredding time #2
The Undiscovered Country Art Stage 2018 Singapore 27 January 2018 PC Ezzam Rahman |
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Shredding time #1
The Undiscovered Country Art Stage 2018 Singapore 26 January 2018 PC Ezzam Rahman & Sophia Natasha Wei |
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Alan (now)
Homar #3 Koolpir Canyon Lorestan Iran 30 November 2017 |
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Hasrat-e-ziba (Beautiful Regret)
Homar #3 Shor Ab Forest Lorestan Iran 28 November 2017 PC Ezzam Rahman |
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Sewn #3
insitu Guanajuato Mexico 21 April 2017 PC B. Linne |
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El Corazón Contento
Utopia #3 Mexico City Mexico 19 April 2017 PC B. Linne |
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Anghel
Paghilom Cavite Philippines 10 February 2017 PC Racquel de Loyola |
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Untitled
MAP Delhi (Mangar Arts & Performance) Mangar, Delhi India 12 November 2016 PC Sophia Natasha Wei |
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Fragments of Being
This Is Not A Safety Barrier The Projector Singapore 17 September 2016 PC Yen Phang, Jennifer Kwan & Lucia Damacela |
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Prana
Morni Hills Performance Art Biennale #1 Chandigarh Haryana India 9 February 2016 PC Lakshmi Maurya |
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Collab POD 4
Map Fest #7 Melaka Malaysia 29 November 2015 PC Steve Chong & Chen Tienshong |
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Pasir-risaP
Map Fest #7 Melaka Malaysia 29 November 2015 PC Nazir Azhari & Ridzuan Rashid |
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Map Fest #7
Melaka Malaysia 28 November 2015 PC Ridzuan Rashid, Tee & Nazir Azhari |
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Gratitude Jar
Map Fest #7 Melaka Malaysia 27 November 2015 PC Ridzuan Rashid |
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Kala
The Mill: Destruction & Rebirth at Jalan Kilang Singapore 7 February 2015 PC Wei Teck Chee |
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Shi Jian
Art Now Live Tour Linzhou, Henan China 18 September 2014 PC Sophia Natasha Wei |
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Sewn #2
15th OPEN Beijing China 13 September 2014 PC Sophia Natasha Wei |
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Group performance
IPA Istanbul Turkey 18 August 2013 PC Verena Stenke & Jurgen Fritz |
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For Example I
Pasionistas Arts House Singapore 26 July 2013 PC Lim Eng Hwa |
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Waiting for you
Displacements Wilkie Terrace Singapore 9 June 2013 PC Lim Eng Hwa & Agam Ruslan Harimurti |
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Shifting Angle
Gender under Reflection New Zero Space Yangon Myanmar 27 September 2012 PC Kaye O'yek |
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Myanma women no border
Gender under Reflection Lokanat Galleries Yangon Myanmar 25 September 2012 PC Kaye O'yek |
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Booking around
S.P.A.M. Re-ad just National Library Singapore 16 September 2012 PC Vincent Chow |
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Untitled
S.P.A.M. #11 Bukit Brown Cemetery Singapore 18 March 2012 PC Farah Ong |
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My Body's Tears
S.P.A.M. #7 Lorong Buangkok Singapore 17 November 2011 PC Juliana Yasin |
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I perform therefore I am
intervention at R.I.T.E.S. The Substation Singapore 23 June 2011 PC Joel Yuen |
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Path
P.I.P.A.F. Santiago Philippines 24 February 2011 PC Lim Eng Hwa |
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